Build your career in Cinema with India's premier creative institution

33+ Years

in Creative
Education

12 LPA

Highest CTC
Offered

37K+

Global Alumni
Network

2800+

Top
Recruiters

Program Details

2026

Batch

2/3-year

Duration

10+2/UG

Eligibility Criteria

5 days/week

Course Mode

Why Choose the School of Cinema?

AAFT’s School of Cinema offers a comprehensive, industry-focused filmmaking education that blends the art, craft, and technical foundation of cinema. Covering acting, direction, cinematography, editing, post-production, and sound, the programs provide students with strong conceptual knowledge and hands-on experience. Through practical exercises, workshops, and real-time productions, learners develop essential creative and technical skills. The School of Cinema serves as a strong launchpad for careers in film and media and prepares students for advanced specializations or master’s programs in filmmaking.

    Key Highlights

  • Learn the complete filmmaking process from script to screen.
  • Master core areas: direction, cinematography, editing, screenwriting, acting, and sound.
  • Hands-on training with industry-standard cameras, lights, and editing suites.
  • Create short films, documentaries, ad films, and music videos.
  • Build strong visual storytelling skills and cinematic aesthetics.
  • Learn screenwriting, character development, and dialogue writing.
  • Gain post-production skills: editing, sound design, and color correction.
  • Develop a professional showreel and portfolio across multiple formats.

    Additional Features

  • Industry-driven curriculum designed with filmmaking experts.
  • State-of-the-art studios, chroma setups, and post-production labs.
  • Regular masterclasses, screenings, and industry interactions.
  • Exposure to real film sets and live production environments.
  • 30+ annual sessions with filmmakers, DoPs, editors, and OTT professionals.
  • Opportunities to participate in festivals, competitions, and in-house productions.

Our Alumni Work at

Dedicated Career Resource Cell to help find your dream company with our partner recruiters across the globe.

Our Alumni Work at

Dedicated Career Resource Cell to help find your dream company with our partner recruiters across the globe.

Which Course Fits You Best?

B.Sc. in Cinema (Specialization in Cinematography) (3 Years)

Suits students aiming to become camera operators, drone operators, DITs, entry-level DoPs, or digital-media video producers.

B.Sc. in Cinema (Specialization in Direction) (3 Years)

Ideal for those aspiring to work as assistant directors, script supervisors, content creators, or beginner independent filmmakers.

B.Sc. in Cinema (Specialization in Post-Production) (3 Years)

Fits students looking to build careers as video editors, assistant editors, motion graphics designers, VFX artists, or compositors.

M.Sc. in Cinema (Specialization in Cinematography) (2 Years)

Suited for advanced roles like director of photography, lighting director, commercial cinematographer, visual consultant, or drone cinematography expert.

M.Sc. in Cinema (Specialization in Direction) (2 Years)

Ideal for careers as film directors, OTT/TV directors, ad filmmakers, or advanced independent filmmakers.

M.Sc. in Cinema (Specialization in Post-Production) (2 Years)

Suits those aiming to become post-production supervisors, senior editors, senior motion graphics/VFX artists, or colorists.

Explore our expertly crafted curriculum.

Program Learning Opportunities

B.Sc. in Cinema (Specialisation in Cinematography)
Semester 1
  • Acting & Presentation
  • History of Indian & World Cinema
  • Production I – Blocking, Composition & Continuity
  • Digital Photography – Theory & Practice
  • Technique of Screenwriting – I
  • Elements of Editing – Theory & Practice
  • Acting, Craft & Execution
  • Art Forms & Cultural Studies
  • Production II – Film with No Dialogue (2–5 min)
  • Digital Video Techniques
  • Mise-en-Scene & Production Design
  • Communication & Soft Skills
  • Indian Cinema
  • Media Ethics & Law
  • Film Marketing & Promotions
  • Production III – Ad Films
  • Cinematography I (Specialisation)
  • World Cinema
  • Understanding New Media (OTT)
  • Production IV – Documentary Film
  • Production V – Dialogue Exercise (7 min)
  • Cinematography II (Specialisation)
  • Contemporary Indian Cinema
  • Contemporary World Cinema
  • Production VI – Short Film (5 min)
  • Production VII – Music Video
  • Cinematography III (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation
B.Sc. in Cinema (Specialisation in Direction)
Semester 1
  • Acting & Presentation
  • History of Indian & World Cinema
  • Production I – Blocking, Composition & Continuity
  • Digital Photography—Theory & Practice
  • Technique of Screenwriting – I
  • Elements of Editing—Theory & Practice
  • Acting, Craft & Execution
  • Art Forms & Cultural Studies
  • Production II – Film with No Dialogue (2–5 min)
  • Digital Video Techniques
  • Mise-en-Scene & Production Design
  • Communication & Soft Skills
  • Indian Cinema
  • Media Ethics & Law
  • Film Marketing & Promotions
  • Production III – Ad Films
  • Film Direction I (Specialisation)
  • World Cinema
  • Understanding New Media (OTT)
  • Production IV – Documentary Film
  • Production V – Dialogue Exercise (7 min)
  • Film Direction II (Specialisation)
  • Contemporary Indian Cinema
  • Contemporary World Cinema
  • Production VI – Short Film (5 min)
  • Production VII – Music Video
  • Film Direction III (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation
B.Sc. in Cinema (Specialisation in Post-Production)
Semester 1
  • Acting & Presentation
  • History of Indian & World Cinema
  • Production I – Blocking, Composition & Continuity
  • Digital Photography—Theory & Practice
  • Technique of Screenwriting – I
  • Elements of Editing—Theory & Practice
  • Acting, Craft & Execution
  • Art Forms & Cultural Studies
  • Production II – Film with No Dialogue (2–5 min)
  • Digital Video Techniques
  • Mise-en-Scene & Production Design
  • Communication & Soft Skills
  • Indian Cinema
  • Media Ethics & Law
  • Film Marketing & Promotions
  • Production III – Ad Films
  • Post Production I (Specialisation)
  • World Cinema
  • Understanding New Media (OTT)
  • Production IV – Documentary Film
  • Production V – Dialogue Exercise (7 min)
  • Post Production II (Specialisation)
  • Contemporary Indian Cinema
  • Contemporary World Cinema
  • Production VI – Short Film (5 min)
  • Production VII – Music Video
  • Post Production III (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation
M.Sc. in Cinema (Specialisation in Post-Production)
Semester 1
  • Acting & Presentation
  • History of Cinema
  • Digital Photography—Theory & Practice
  • Production I – Blocking, Composition & Continuity
  • Techniques of Screenwriting
  • Elements of Editing—Theory & Practice
  • Production II – Dialogue Exercise
  • Digital Video Techniques
  • Production III – Mise-en-Scene & Production Design
  • Understanding Film Theory
  • Production IV – Ad Film
  • Post Production I (Specialisation)
  • Film Marketing & Media Laws
  • Contemporary Cinema
  • Production V – Short Fiction (5 min)
  • Production VI – Documentary
  • Post Production II (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation
M.Sc. in Cinema (Specialisation in Cinematography)
Semester 1
  • Acting & Presentation
  • History of Cinema
  • Digital Photography – Theory & Practice
  • Production I – Blocking, Composition & Continuity
  • Techniques of Screenwriting
  • Elements of Editing – Theory & Practice
  • Production II – Dialogue Exercise
  • Digital Video Techniques
  • Production III – Mise-en-Scene & Production Design
  • Understanding Film Theory
  • Production IV – Ad Film
  • Cinematography I (Specialisation)
  • Film Marketing & Media Laws
  • Contemporary Cinema
  • Production V – Short Fiction (5 min)
  • Production VI – Documentary
  • Cinematography II (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation
M.Sc. in Cinema (Specialisation in Direction)
Semester 1
  • Acting & Presentation
  • History of Cinema
  • Digital Photography—Theory & Practice
  • Production I – Blocking, Composition & Continuity
  • Techniques of Screenwriting
  • Elements of Editing – Theory & Practice
  • Production II – Dialogue Exercise
  • Digital Video Techniques
  • Production III – Mise-en-Scene & Production Design
  • Understanding Film Theory
  • Production IV – Ad Film
  • Film Direction I (Specialisation)
  • Film Marketing & Media Laws
  • Contemporary Cinema
  • Production V – Short Fiction (5 min)
  • Production VI – Documentary
  • Film Direction II (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation
B.Sc. in Cinema (Specialisation in Cinematography)
Semester 1
  • Acting & Presentation
  • History of Indian & World Cinema
  • Production I – Blocking, Composition & Continuity
  • Digital Photography – Theory & Practice
  • Technique of Screenwriting – I
  • Elements of Editing – Theory & Practice
  • Acting, Craft & Execution
  • Art Forms & Cultural Studies
  • Production II – Film with No Dialogue (2–5 min)
  • Digital Video Techniques
  • Mise-en-Scene & Production Design
  • Communication & Soft Skills
  • Indian Cinema
  • Media Ethics & Law
  • Film Marketing & Promotions
  • Production III – Ad Films
  • Cinematography I (Specialisation)
  • World Cinema
  • Understanding New Media (OTT)
  • Production IV – Documentary Film
  • Production V – Dialogue Exercise (7 min)
  • Cinematography II (Specialisation)
  • Contemporary Indian Cinema
  • Contemporary World Cinema
  • Production VI – Short Film (5 min)
  • Production VII – Music Video
  • Cinematography III (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation
Semester 1
  • Acting & Presentation
  • History of Indian & World Cinema
  • Production I – Blocking, Composition & Continuity
  • Digital Photography—Theory & Practice
  • Technique of Screenwriting – I
  • Elements of Editing—Theory & Practice
  • Acting, Craft & Execution
  • Art Forms & Cultural Studies
  • Production II – Film with No Dialogue (2–5 min)
  • Digital Video Techniques
  • Mise-en-Scene & Production Design
  • Communication & Soft Skills
  • Indian Cinema
  • Media Ethics & Law
  • Film Marketing & Promotions
  • Production III – Ad Films
  • Film Direction I (Specialisation)
  • World Cinema
  • Understanding New Media (OTT)
  • Production IV – Documentary Film
  • Production V – Dialogue Exercise (7 min)
  • Film Direction II (Specialisation)
  • Contemporary Indian Cinema
  • Contemporary World Cinema
  • Production VI – Short Film (5 min)
  • Production VII – Music Video
  • Film Direction III (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation
Semester 1
  • Acting & Presentation
  • History of Indian & World Cinema
  • Production I – Blocking, Composition & Continuity
  • Digital Photography—Theory & Practice
  • Technique of Screenwriting – I
  • Elements of Editing—Theory & Practice
  • Acting, Craft & Execution
  • Art Forms & Cultural Studies
  • Production II – Film with No Dialogue (2–5 min)
  • Digital Video Techniques
  • Mise-en-Scene & Production Design
  • Communication & Soft Skills
  • Indian Cinema
  • Media Ethics & Law
  • Film Marketing & Promotions
  • Production III – Ad Films
  • Post Production I (Specialisation)
  • World Cinema
  • Understanding New Media (OTT)
  • Production IV – Documentary Film
  • Production V – Dialogue Exercise (7 min)
  • Post Production II (Specialisation)
  • Contemporary Indian Cinema
  • Contemporary World Cinema
  • Production VI – Short Film (5 min)
  • Production VII – Music Video
  • Post Production III (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation
Semester 1
  • Acting & Presentation
  • History of Cinema
  • Digital Photography—Theory & Practice
  • Production I – Blocking, Composition & Continuity
  • Techniques of Screenwriting
  • Elements of Editing—Theory & Practice
  • Production II – Dialogue Exercise
  • Digital Video Techniques
  • Production III – Mise-en-Scene & Production Design
  • Understanding Film Theory
  • Production IV – Ad Film
  • Post Production I (Specialisation)
  • Film Marketing & Media Laws
  • Contemporary Cinema
  • Production V – Short Fiction (5 min)
  • Production VI – Documentary
  • Post Production II (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation
Semester 1
  • Acting & Presentation
  • History of Cinema
  • Digital Photography – Theory & Practice
  • Production I – Blocking, Composition & Continuity
  • Techniques of Screenwriting
  • Elements of Editing – Theory & Practice
  • Production II – Dialogue Exercise
  • Digital Video Techniques
  • Production III – Mise-en-Scene & Production Design
  • Understanding Film Theory
  • Production IV – Ad Film
  • Cinematography I (Specialisation)
  • Film Marketing & Media Laws
  • Contemporary Cinema
  • Production V – Short Fiction (5 min)
  • Production VI – Documentary
  • Cinematography II (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation
Semester 1
  • Acting & Presentation
  • History of Cinema
  • Digital Photography—Theory & Practice
  • Production I – Blocking, Composition & Continuity
  • Techniques of Screenwriting
  • Elements of Editing – Theory & Practice
  • Production II – Dialogue Exercise
  • Digital Video Techniques
  • Production III – Mise-en-Scene & Production Design
  • Understanding Film Theory
  • Production IV – Ad Film
  • Film Direction I (Specialisation)
  • Film Marketing & Media Laws
  • Contemporary Cinema
  • Production V – Short Fiction (5 min)
  • Production VI – Documentary
  • Film Direction II (Specialisation)
  • Final Degree Film (20 min)
  • Dissertation

Tools That You Will Master

Tools That You Will Master


Student Projects

The curriculum of our Cinema programs rolls out in such a manner that the students get ample chances to gain hands-on experience in learning about Cinema.

Top Placements

Rishabh

Raising Brands

Rengphunglien

First Fiddle Restaurents

Pratanu Ghose

Cube

Prakshal Jain

AAFT

Nair Rohith

Dilip sood films

Junaid Ul Islam

Charuvi Design

Jaswant Lamba

GRAS Tech

Harry Prince

Kala chashma prod.


Dean

Prof. Dr. Shivani Daape

Dean

Prof. Dr. Shivani Daape

With over 23 years of experience in academics and media, Prof. Dr. Shivani Dappe is a distinguished leader in filmmaking, creative direction, and student mentorship. She serves as dean at AAFT and associate professor at FTII, Pune, shaping the careers of aspiring storytellers. Her industry expertise spans directing, scriptwriting, and creative leadership for television, film, and digital platforms, with credits including Beintehaa, Veera – Ek Veer Ki Ardaas, Savdhaan India, and Balika Vadhu. Known for leading multidisciplinary teams, she creates transformative learning experiences that bridge creativity, industry insight, and practical mastery.

What this means for you

  • Access to 75+ hours of in-person learning
  • 15 Masterclasses to expand your creative horizon
  • Exclusive internship and placement opportunities
  • Portfolio review from Shivani and team

Veteran Teaching Faculty

AAFT boasts of a highly qualified and experienced team of professors who hold impeccable industrial acumen after having led successful careers in their respective fields.

Ankit Saroha

HOD (School of Cinema)

With 10 years of experience in photography, filmmaking, and media practice, Ankit Saroha combines practical industry exposure .... with academic rigor. His journey spans newsrooms, production houses, creative studios, and event environments, further strengthened by ongoing doctoral research in mass communication. His professional background as a photographer, cinematographer, and documentary filmmaker adds a strong visual and storytelling sensibility to the department.

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Mr. Ashok Dhingra

HOD, Cinematography

Bringing years of experience across film and media production environments, Ashok Dhingra leads production-based learning with .... an emphasis on practical craft and industry preparedness. His work across varied production ecosystems supports strong hands-on learning for students.

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Ms. Kirti

Assistant Professor

With professional and academic exposure to media and film practice, Kirti brings a grounded understanding of cinematic .... workflows and student-focused learning to the department.

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Mr. Anurag Mishra

Assistant Professor

With over 19 years of acting experience and 8 years in teaching and training, Anurag offers a deeply performance-oriented .... perspective. His postgraduate acting training from FTII, Pune, and roles in films such as URI, Hunterrr, Shudra: The Rising, and Satellite Shankar, along with work in television, web series, and national commercials, solidify his industry credibility. His background in theater, choreography, and departmental leadership adds multidimensional value to student development.

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Mohammad Zorjis

Assistant Professor

With a strong foundation in the media sector, Zorjis contributes both academic insight and technical exposure, supporting .... students in developing a balanced creative and analytical approach.

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Chandan Saxena

Assistant Professor

With 13 years of combined academic and industry experience, including 6 years in leading media organizations and 7 years in .... teaching, Chandan brings a well-rounded perspective to cinema education. His professional journey includes roles at News18, ETV Network, Ramoji Film City, and ITV Network, complemented by published research work and conference participation. His ongoing Ph.D. adds scholarly depth to his contribution.

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Mohini Mishra

Assistant Professor

With 8 years of active work in the Hindi film industry, Mohini brings solid production-floor experience to the School of .... Cinema. Her work with major banners—including Salman Khan Films, Sanjay Dutt Productions, Colour Yellow Productions, Red Chillies Entertainment, and Flying Unicorn—spans script supervision, continuity, set coordination, and artist management. Her ongoing Ph.D. research further enriches her academic perspective.

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Confused about where to start?

How to Apply?

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Registration

Fill out the form mentioned above.

Personal Interaction

Our experts will help find the perfect program for you.

Application

Submit the application form to initiate your enrollment.

Reservation

Submit the course fee to reserve your seat.

Enrollment

Finalize your enrollment to begin your creative journey.

-----

Registration

Fill out the form mentioned above.

-----

Personal Interaction

Our experts will help find the perfect program for you.

-----

Application

Submit the application form to initiate your enrollment.

-----

Reservation

Submit the course fee to reserve your seat.

Enrollment

Finalize your enrollment to begin your creative journey.

Frequently Asked Questions

Find answers to common queries about our programs, admissions and more.

Are the cinema students offered career guidance or placement assistance?
  • AAFT offers robust support to students by facilitating connections with recruiters, leveraging a strong alumni network and fostering partnerships with leading firm companies to enhance job placement opportunities. Moreover, AAFT does have a Corporate Resource Cell (CRC) that provides assistance to students helping you become industry-ready with professional portfolios and showreels.
  • Yes, upon completing the course, you will receive a recognized certification approved by NSDL (National Skill Development Corporation). This certification not only validates your skills and knowledge but is also widely respected in the industry, enhancing your credibility and employability.
  • Yes, AAFT School of Cinema students get the opportunity to direct their short film / project under the guidance of our experienced faculty.
  • Throughout the program, students get access to various software including Adobe Premiere Pro, Avid Media Composer, Black Magic Design DaVinci Resolve and more.
  • Yes, both B.Sc and M.Sc in Cinema programs offer hands-on experience to the students with professional software and camera equipment like DSLR cameras, lenses and lighting kits.
  • Both B.Sc and M.Sc in Cinema degree programs offer in-depth learning in film direction, cinematography, screenwriting, editing, production design, acting and sound design. However, M.Sc in Cinema specifically focuses on film theory, research methods, global cinema trends and project management in a film production.